Novidades Farmvinyl

Faça scroll down para ver as mais recentes novidades.
Para ver o preço procure o disco no menu do lado esquerdo (o preço no Site já é o preço final PVP).

Os preços já são excelentes, mas podem ser realmente imbatíveis se comprar :
- 2 artigos (à escolha) na mesma compra terá 5% desconto;
- 3 ou mais artigos (à escolha) na mesma compra terá 10% desconto;

Email Encomendas: jmfnb10022@hotmail.com


Yusef Lateef
The Doctor Is In...And Out
Pure Pleasure
LP 33rpm 180g
Made in Pallas Germany



Stravinsky
The Rite Of Spring (Le Sacre Du Printemps)
(Eiji Oue, Minnesota Orchestra)
Reference Recordings
LP 45rpm 180g, Gatefold
Made in Q.R.P. U.S.A.



Vanessa Fernandez
When The Levee Breaks
GROOVE NOTE
LIMITED EDITION
3 LP's 45rpm 180g, Triple Gatefold
Mastered directly from the original analogue master Tape,
and Cut by Bernie Grundman
AAA 100% All Analogue Recording
Made in R.T.I. U.S.A.



Bill Evans
The Paris Concert Edition One
ORG/ORIGINAL RECORDINGS GROUP/ELEKTRA
2 LP's 45rpm 180g
LIMITED EDITION NUMBERED
Mastered by Bernie Grundman from the Original Master Tapes
Made in R.T.I. U.S.A.



Miles Davis
On The Corner
MOBILE FIDELITY/MFSL/MOFI
LP 33rpm 180g, Gatefold
LIMITED EDITION NUMBERED
Made in R.T.I. U.S.A.



John Coltrane
Standard Coltrane
(with Wilbur Hardin, Red Garland, Paul Chamber, Jimmy Cobb)
Analogue Productions Prestige STEREO Series
LP 200g 33rpm
Mastered from Original Analog Master Tapes by Kevin Gray
LIMITED EDITION NUMBERED
Made in Q.R.P. U.S.A.



Tom Waits And Crystal Gayle
One From The Heart
MOBILE FIDELITY/MFSL/MOFI
LP 33rpm 180g
LIMITED EDITION NUMBERED
Made in R.T.I. U.S.A.



Duke Ellington
Blues In Orbit
Analogue Productions
LP 200g 33rpm, Gatefold
Remastered by Bernie Grundman from the original analog tapes
Made in Q.R.P. U.S.A.



Ron Carter
All Blues
Pure Pleasure
LP 33rpm 180g, Gatefold
Made in Pallas Germany


Paul Desmond
Desmond Blue
Pure Pleasure
LP 33rpm 180g
Made in Pallas Germany



Nils Lofgren
Acoustic Live
Analogue Productions
2 LP's, 200g, 33rpm, Gatefold
Remastered by Ryan Smith at Sterling Sound
Pressed at Q.R.P. in U.S.A.



Charles Lloyd
Forest Flower
(with Keith Jarrett, Cecil McBee, Jack DeJohnette)
Speakers Corner
LP 33rpm 180g, Gatefold
PALLAS, GERMANY

Dave Brubeck Trio and Gerry Mulligan
Blues Roots
Pure Pleasure
LP 33rpm 180g
PALLAS, GERMANY



Thelonious Monk
Big Band and Quartet In Concert
(Charlie Rouse, Steve Lacy, Phil Woods, Gene Allen, Eddie Bert, Thad Jones, Nick Travis, Butch Warren, Frank Dunlop)
Speakers Corner
LP 33rpm 180g
PALLAS, GERMANY



The Modern Jazz Quartet
Lonely Woman
(Milt Jackson, John Lewis, Percy Heath, Connie Kay)
Pure Pleasure
LP 33rpm 180g
PALLAS, GERMANY

Jimmy Forrest "Out Of The Forrest"
Analogue Productions Prestige STEREO Series
LP 200g 33rpm
Mastered from Original Analog Master Tapes by Kevin Gray
LIMITED EDITION NUMBERED
Made in Q.R.P. U.S.A.

Lightnin' Hopkins "Goin' Away"
Analogue Productions Prestige STEREO Series
LP 200g 33rpm
Mastered from Original Analog Master Tapes by Kevin Gray
LIMITED EDITION NUMBERED
Made in Q.R.P. U.S.A.



The Alan Parsons Project "I Robot"
Mobile Fidelity Sound Lab
2 LP's 45rpm 180g, Gatefold
LIMITED EDITION NUMBERED
Made in R.T.I. U.S.A.



Nina Simone
Little Girl Blue
Analogue Productions
LP 200g 33rpm, Gatefold
Mastered by Ryan Smith at Sterling Sound
Made in Q.R.P. U.S.A.



The Beach Boys "Pet Sounds" (MONO)
Analogue Productions
LP 200g 33rpm
Mastered by Kevin Gray
Made in Q.R.P. U.S.A.



Al Di Meola "Splendido Hotel"
(also with Jan Hammer, Chick Corea, Steve Gadd, Anthony Jackson, Les Paul)
Speakers Corner
2 LP's 33rpm 180g, Gatefold
PALLAS, GERMANY

Bartok "Concerto For Violin"
(Isaac Stern, Leonard Bernstein conducts the New York Philharmonic)
Speakers Corner
LP 33rpm 180g
PALLAS, GERMANY



Tony Bennett and Dave Brubeck
"The White House Sessions, Live 1962"
IMPEX
2 LP's 33rpm 180g, high-gloss Gatefold
Original recordings produced by Teo Macero
Mixed and mastered by Mark G. Wilder at Battery Studios NYC
Mastering by Kevin Gray and Robert Pincus at Cohearent Audio
Made in U.S.A.



Diana Krall "All For You"
(A dedication to the Nat King Cole Trio)
Original Recordings Group
2 LP's 45rpm 180g, Gatefold
LIMITED EDITION NUMBERED
Mastered by Bernie Grundman from the original analogue masters
Made in R.T.I. U.S.A.



Eric Dolphy "At The Five Spot, Vol. 1"
Analogue Productions Prestige STEREO Series
LP 200g 33rpm
Mastered from Original Analog Master Tapes by Kevin Gray
LIMITED EDITION NUMBERED
Made in Q.R.P. U.S.A.

Booker Ervin "The Freedom Book"
Analogue Productions Prestige STEREO Series
LP 200g 33rpm
Mastered from Original Analog Master Tapes by Kevin Gray
LIMITED EDITION NUMBERED
Made in Q.R.P. U.S.A.



Quarteto 1111 "Quarteto 1111"
LP 33rpm 180g
STRICTLY LIMITED EDITION of 500 HAND-NUMBERED
Mastered by Daniel Krieger at SST BRÜGGEMANN from Original Analogue Master Tape, Faithful replica of original front laminated sleeve and labels, 12-page insert, OBI and Japanese resealable sleeve
Pressed at PALLAS Germany
Included exclusive Limited edition sets of 4 postcards and 4 photos
(both selled separately by armoniz and usually not included)





Bill Evans "The Bill Evans Album"
Speakers Corner
LP 33rpm 180g
PALLAS, GERMANY

Herbie Hancock "Flood"
Speakers Corner
2 LP's 33rpm 180g, Gatefold
PALLAS, GERMANY



Randy Weston "African Cookbook"
Pure Pleasure
LP 33rpm 180g
PALLAS, GERMANY


Son House
The Legendary Father of Folk Blues
Analogue Productions
LP 200g 33rpm
Mastered by Ryan Smith at Sterling Sound from the Original Master Tapes
Made in Q.R.P. U.S.A.

Gounot & Bizet
Faust Ballet Music & Carmen Suite
Alexander Gibson conducts the Royal Opera House Orchestra, Covent Garden
Recorded in Kingsway Hall
Engineer Kenneth Wilkinson
ANALOGUE PRODUCTIONS/RCA LIVING STEREO
LP 200g 33rpm
Mastered by Willem Makee
Made in Q.R.P. U.S.A.

Gene Ammons "Boss Tenor"
Analogue Productions Prestige STEREO Series
LP 200g 33rpm
Mastered from Original Analog Master Tapes by Kevin Gray
LIMITED EDITION NUMBERED
Made in Q.R.P. U.S.A.

Arnett Cobb "Party Time"
Analogue Productions Prestige STEREO Series
LP 200g 33rpm
Mastered from Original Analog Master Tapes by Kevin Gray
LIMITED EDITION NUMBERED
Made in Q.R.P. U.S.A.





Dire Straits
Brothers in Arms
Mobile Fidelity Sound Lab
2 LP's 45rpm 180g, Gatefold
LIMITED EDITION NUMBERED
Made in R.T.I. U.S.A.

Saint-Saens
Symphony No.3 "Organ"
(Michael Stern, Kansas City Symphony, Jan Kraybill)
Reference Recordings
LP 45rpm 180g, Gatefold
Made in Q.R.P. U.S.A.
Click Here To Listen Samples



Wayne Shorter "Native Dancer"
(With Herbie Hancock, Milton Nascimento, Airto Moreira)
Speakers Corner
LP 33rpm 180g
PALLAS, GERMANY



Gary Clark Jr. Live
WB
2 LP's 33rpm, Gatefold
Made in E.U.



Miles Davis "Tutu" (Deluxe Edition)
Rhino
2 LP's 33rpm 180g
Made in E.U.

Les McCann & Eddie Harris "Swiss Movement"
Rhino
LP 33rpm 180g
Cut from the Original Analog Masters
Mastered by Chris Bellman at Bernie Grundman Studios
Made in E.U.



Ben Webster "The Warm Moods"
Pure Pleasure
LP 33rpm 180g
PALLAS, GERMANY
Melvin Taylor "Plays The Blues For You"
Pure Pleasure
LP 33rpm 180g
PALLAS, GERMANY



Stravinsky
Violin Concerto; Symphony in Three Movements
Isaac Stern Violin
Stravinsky conducts the Columbia Symphony Orchestra
Speakers Corner/COLUMBIA
LP 33rpm 180g
PALLAS, GERMANY



Buena Vista Social Club "Buena Vista Social Club"
World Circuit
2 LP's 33rpm 180g, Gatefold, with 20 page Booklet
Mastered from Original Analog Tapes by Bernie Grundman
Made in EU




Lyn Stanley "Interludes"
Impex/A.T.Music
2 LP's 45rpm 180g, Gatefold
Mastered by Bernie Grundman
Made in Q.R.P. U.S.A.

Lyn Stanley "Lost In Romance"
Impex/A.T.Music
2 LP's 45rpm 180g, Gatefold
Mastered by Bernie Grundman
Made in Pallas, Germany

Lyn Stanley "Potions (From The 50's)"
Impex/A.T.Music
2 LP's 45rpm 180g, Gatefold
Mastered by Bernie Grundman
Made in R.T.I. U.S.A.



Aaron Copland "Copland 100"
(Eiji Oue, Minnesota Orchestra)
Reference Recordings
LP 33rpm 200g, Gatefold
Made in Q.R.P. U.S.A.



Randy Weston "Blue Moses"
(with Freddie Hubbard, Grover Washington JR., Hubert Laws)
Speakers Corner/Cti
LP 33rpm 180g, Gatefold
PALLAS, GERMANY




Miles Davis "A Tribute To Jack Johnson"
Mobile Fidelity Sound Lab
LP 33rpm 180g, Gatefold
LIMITED EDITION NUMBERED
Made in R.T.I. U.S.A.

The Allman Brothers Band
Live At The Fillmore East
Mobile Fidelity Sound Lab
2 LP's 33rpm 180g, Gatefold
LIMITED EDITION NUMBERED
Made in R.T.I. U.S.A.



Kenny Burrell "God Bless The Child"
Pure Pleasure
LP 33rpm 180g, Gatefold
PALLAS, GERMANY




Beethoven, Symphony No. 6 "Pastorale"
Bruno Walter, Columbia Symphony Orchestra
Analogue Productions
LP 200g 33rpm, Gatefold
Mastered from Original Tapes by Ryan Smith at Sterling Sound
Made in Q.R.P. U.S.A.

Dave Brubeck Quartet "Time Out"
Analogue Productions
LP 200g 33rpm, Gatefold
Cut By Bernie Grundman
Made in Q.R.P. U.S.A.

Gregg Allman "Laid Back"
Analogue Productions
LP 200g 33rpm, Gatefold
Mastered from Original Tapes by Ryan Smith at Sterling Sound
Made in Q.R.P. U.S.A.



Grant Green "Green Street"
MUSIC MATTERS/BLUE NOTE
LIMITED EDITION
LP 33rpm 180g, Gatefold
(with Session Photos inside)
Remastered by Kevin Gray at Cohearent Audio
from Rudy Van Gelder Original Master Tapes
Made in R.T.I. U.S.A.

Horace Parlan "Speakin' My Piece"
MUSIC MATTERS/BLUE NOTE
LIMITED EDITION
LP 33rpm 180g, Gatefold
(with Session Photos inside)
Remastered by Kevin Gray at Cohearent Audio
from Rudy Van Gelder Original Master Tapes
Made in R.T.I. U.S.A.

Jackie McLean "Right Now!"
MUSIC MATTERS/BLUE NOTE
LIMITED EDITION
LP 33rpm 180g, Gatefold
(with Session Photos inside)
Remastered by Kevin Gray at Cohearent Audio
from Rudy Van Gelder Original Master Tapes
Made in R.T.I. U.S.A.



Miles Davis "Kind Of Blue"
Mobile Fidelity Sound Lab
2 LP's BOX SET 45rpm 180g
LIMITED EDITION HAND-NUMBERED
Made in R.T.I. U.S.A.


33 RPM SERIES
Larry Young "Unity"
MUSIC MATTERS/BLUE NOTE
LIMITED EDITION
LP 33rpm 180g, Gatefold
(with Session Photos inside)
Remastered by Kevin Gray at Cohearent Audio
from Rudy Van Gelder Original Master Tapes
Made in R.T.I. U.S.A.



Jennifer Warnes "Famous Blue Raincoat"
IMPEX
LP 33rpm 180g
LIMITED EDITION
All-Tube Mastered By Bernie Grundman from the Original Analogue Master Tapes
Made in R.T.I. U.S.A.



Herbie Hancock "Head Hunters"
Analogue Productions
LP 200g 33rpm
Mastered by Ryan Smith at Sterling Sound
Made in Q.R.P. in U.S.A.

Muddy Waters "Folk Singer"
Analogue Productions
LP 200g 33rpmGatefold
Mastered by Bernie Grundman from the Original Analog Master Tapes
Made in Q.R.P. in U.S.A.



Bennie Wallace "Moodsville"
Groove Note Records
2 LP's 180g 45rpm
Made in R.T.I. U.S.A.
Mastered from the Original Master Tapes by Bernie Grundman!




António Carlos Jobim "Stone Flower"
ORG Music
2 LP's 45rpm 180g, Gatefold
Mastered by Bernie Grundman from Original Analogue Master Tapes
NUMBERED LIMITED EDITION OF 1500
Made in Pallas, Germany

Art Farmer/Jim Hall "Big Blues"
ORG Music
2 LP's 45rpm 180g, Gatefold
Mastered by Bernie Grundman from Original Analogue Master Tapes
NUMBERED LIMITED EDITION OF 1500
Made in Pallas, Germany


Freddie Hubbard "Red Clay"
ORG Music
2 LP's 45rpm 180g, Gatefold
Mastered From The Original Analogue Master Tapes By Bernie Grundman
Made in Pallas, Germany


James "Blood" Ulmer "Odyssey"
ORG Music
2 LP's 45rpm 180g, Gatefold
NUMBERED LIMITED EDITION OF 2000
Mastered by Bernie Grundman from Original Analogue Master Tapes
Made in Pallas, Germany


John Coltrane "Olé Coltrane"
ORG Music
2 LP's 45rpm 180g, Gatefold
Mastered by Bernie Grundman
Made in Pallas, Germany


Ornette Coleman "This Is Our Music"
(with Donald Cherry, Ed Blackwell, Charlie Haden)
ORG Music
2 LP's 45rpm 180g, Gatefold
Mastered by Bernie Grundman from Original Analogue Master Tapes
Made in Pallas, Germany


Ornette Coleman "The Shape Of Jazz To Come"
ORG Music
2 LP's 45rpm 180g, Gatefold
Mastered by Bernie Grundman from Original Analogue Master Tapes
Made in Pallas, Germany




Miles Davis "Filles de Kilimanjaro"
Mobile Fidelity Sound Lab
2 LP's 45rpm 180g, Gatefold
LIMITED EDITION NUMBERED
Made in R.T.I. U.S.A.


Miles Davis "Miles in the Sky"
Mobile Fidelity Sound Lab
2 LP's 45rpm 180g, Gatefold
LIMITED EDITION NUMBERED
Made in R.T.I. U.S.A.
Click Here To Listen Samples



Chico Freeman "Spirit Sensitive"
Analogue Productions
LP 200g 33rpm
Cut by Doug Sax at The Mastering Lab from Original Master Tapes
Made in Q.R.P. in U.S.A.

Spirit Sensitive is a truly sensitive reading of standards by stalwart saxman Chico Freeman, originally released in 1979. Featuring both tenor and soprano horns, the leader lends his unique blend of passion and taste to compositions by Duke Ellington, Sonny Rollins, Richard Rodgers and Vernon Duke. Freeman gets strong rhythmic support from bassist Cecil McBee, drummer Billy Hart, and John Hicks at the piano. This is an outstanding analog recording that both audio and jazzphiles will treasure.



Harry Belafonte "Belafonte Sings The Blues"
Analogue Productions
LP 200g 33rpm
Mastered by Ryan Smith at Sterling Sound
Made in Q.R.P. in U.S.A.

A favorite from the recommended list by The Absolute Sound magazine, and, as expressed in the liner notes, Harry Belafonte's favorite recording. Belafonte has never before sung on records as he does in this album. He is freer, more earthy, more exultantly identified with his material than ever before. He has always communicated an often ferocious power as well as lyrical sensitivity, but in this collection he achieves a unity of emotional strength in and understanding of his material that marks an important stage in his evolution.

As the liner notes by Nat Hentoff state, there is not much to say about the individual performances that is not entirely clear on hearing them. Truly a classic for discerning audiophiles, Belafonte Sings The Blues was the first Belafonte album recorded in stereo. The sound is incredible, and the dead-silent backgrounds of QRP 200-gram vinyl preserve every exquisite detail! This is one of Belafonte's most satisfying set.



Michael Hedges "Aerial Boundaries"
Audio Fidelity
LP 33rpm 180g, Gatefold
Mastered by Kevin Gray
LIMITED EDITION NUMBERED
Made in Q.R.P. U.S.A.

A classic is back again and better than ever! The Sonics are Phenomenal!
The Acoustic Guitar Reinvented...a Musical Flight of Fancy!

Aerial Boundaries is unquestionably one of the most groundbreaking albums in acoustic guitar history. This recording introduced Michael Hedges to the world as the ultimate acoustic guitar visionary, stretching the limits of the instrument to accommodate his exceptional musical ideas. There are moments on the record where it seems impossible that so much music is coming from one man and his guitar. Rich in classical harmony and master of fast finger techniques, Hedges' tracks feature layers of musical complexity and every performance expands the dynamic range of the instrument.

"Kevin Gray remastered this time for Audio Fidelity, which issued it in an attractive gatefold package. And again, this latest edition blows the doors off the previous two [Original & Grundman mastered versions] in every imaginable way... If you don't have a copy of this, it's worth getting, musically and sonically. And if you have an original, you will be surprised by how much better this reissue sounds compared to the original." - Michael Fremer, www.analogplanet.com
9/11 Music, 9/11 Sound! 

"There was simply no one like him," Bonnie Raitt said of Michael Hedges following his untimely death in 1997, "a very gifted performer, arranger and composer whose music sounded like nothing that had come before it." Aerial Boundaries remains Hedges' seminal work, and its innovations in technique, tuning, tone, and intensity combined to produce music of untarnished beauty.


33 RPM SERIES



Features:
• Limited Edition of 3500
• Remastered from the Original Rudy Van Gelder Blue Note Master Tapes
• Remastered by Kevin Gray at Cohearent Audio
• 33rpm LP Pressed on 180 gram Virgin Vinyl by R.T.I. in U.S.A.
• Ultra-Durable, Extra Thick and Laminated Album Jackets
• Gatefold Album with Session Photos in stunning High Resolution



Doug MacLeod "Exactly Like This"
Reference Recordings
2 LP's 45rpm 200g, Gatefold
Made in Q.R.P. U.S.A.

Doug MacLeod is a Unique, Powerful Guitarist With a Rich and Soulful Voice Singing Original Songs Based On His Own Life and Experiences.

MacLeod's third release with Reference Recordings is ‘Genuine Original Acoustic Music’ at its very best, in a richly detailed recording by Grammy-winning engineer Keith Johnson, made at Skywalker Sound in Marin County, CA.

In live performance, Doug MacLeod assures his audience “This song is going to go exactly like this.” It’s presented just for them, not a repeat of any performance he’s ever given or will ever give. He records the same way, each of his original songs are offered with a fresh voice. EXACTLY LIKE THIS contains eleven MacLeod originals reflecting and paying tribute to some of his diverse musical influences: Louis Jordan, Wes Montgomery, Jerry Reed, Tony Joe White, John Lee Hooker, and even a little Duke Ellington.

His songs have been covered by many artists including Albert King, Albert Collins, Joe Louis Walker and Eva Cassidy.



Ali Farka Toure With Ry Cooder "Talking Timbuktu"
World Circuit
2 LP's 33rpm 180g
Mastered from Original Analog Tapes by Bernie Grundman
Made in UK

Grammy Award-Winning Classic Album Now on 180g Double Vinyl!
Mastered from the Original Analog Tapes! Features Exclusive Vinyl-Only Track!

When Ali met Ry Cooder in 1992, they really bonded and Ali later presented him with the first instrument he made, a one-string lute called a djerkal. Recorded in just three days in LA in 1993, the resulting collaboration 'Talking Timbuktu' well deserved its Grammy Award. Relaxed and accessible, the music is complimented by Ry's subtle guitar work and sensitive production while retaining the integrity of Ali's performance.

Ali Farke Toure and Ry Cooder have long treasured each other’s recordings. They first met in London in 1992 while both were touring Europe. It was agreed that they should 'try something together.' This ‘something’ became ‘Talking Timbuktu,’ a Grammy award-winning classic album.

In September '93, Toure was set to play a string of dates in the States and a week was set aside for recording his new album. Cooder was to play on a couple of tracks. A few hours’ rehearsal at Cooder's Santa Monica home hinted at inspiring possibilities. The Malian guitarist's next three Californian dates all featured Cooder as special guest. The recording followed a week later by which time Cooder had agreed to produce the entire album and play on every track. The whole album, recorded in three days, is now available on vinyl with an additional previously unreleased track.




Clarence"Gatemouth" Brown "Alright Again!"
Rounder Records
LP 33rpm
Made in U.S.A.

Winner of the 1983 GRAMMY Award for Best Traditional Blues Album, Alright Again! put the famed multi-instrumentalist roots musician back on the radar. Brown performs both original tracks, and covers songs by such blues heroes as T-Bone Walker and Percy Mayfield, as well as a song by his protégé, Albert Collins. Proclaimed by Allmusic.com to be: “One of the most satisfying…discs of all for the discerning blues fan,” this LP is a must have for roots fans.

Clarence "Gatemouth" Brown was an American musician from Louisiana and Texas. He is best known for his work as a blues musician, but embraced other styles of music, having "spent his career fighting purism by synthesizing old blues, country, jazz, Cajun music and R&B styles." His work also encompasses rock and roll, rock music, folk, electric blues, and Texas blues.

He was an acclaimed multi-instrumentalist, who played an array of musical instruments such as guitar, fiddle, mandolin, viola as well as harmonica and drums. Brown is regarded as one of the most influential exponents of blues fiddle and has had enormous influence in American fiddle circles. His two biggest musical influences were Louis Jordan and T-Bone Walker.



Thelonious Monk "Straight, No Chaser"
IMPEX
2 LP's 33rpm 180g, Gatefold
LIMITED EDITION of 3000 NUMBERED
All-Analog Mastering from Original Tapes by Kevin Gray and Robert Pincus at Cohearent Audio
Made in R.T.I. U.S.A.

This mid-period masterwork from jazz piano's most uncommon voice finds Monk and his quartet (Charlie Rouse on tenor, Ben Riley on drums and Larry Gales on bass) exploring every texture, tone and melodic turn of seven expansive tracks. This group was subtle, mature and confident, easily supporting Monk's more idiosyncratic side-tracks (check out the solo on "Locomotive" or the restless exposition on "Japanese Folk Song") while allowing listeners freedom to move through or contemplate all the sublime subtexts Monk conjures from the endless well of his inspiration.

This emphasis on laid back and mature presentation aided the recording as well. These master tapes sound amazing and getting them to disc was a pure pleasure. Subtle changes in atmosphere, tone and melody fill the space between the speakers, a wide soundstage and expansive dynamics the gift of music indelibly played. This is one sonic powerhouse for the ages.

Available for the first time on 180-gram 2-LP with the full performances of the original tracks and including two bonus tracks, this new Impex release gets you closer to Monk's genius than ever before. Kevin Gray and Robert Pincus used analog master tapes and minimal processing to great effect, while original session and jacket images were culled to create the deluxe gatefold jacket. Add in the sound-of-silence pressings from RTI and you have a can't miss jazz disc ready to delight and inspire every time it spins on your turntable. As is Impex's way, pressings will be limited to 3000 numbered copies. Impex has pulled out all the stops on this mesmerizing Monk classic. All you have to do is get one and enjoy before they're all gone.



Miles Davis "Nefertiti"
Mobile Fidelity Sound Lab
2 LP's 45rpm 180g, Gatefold
LIMITED EDITION NUMBERED
Made in R.T.I. U.S.A.

Nefertiti will always be known as the final all-acoustic record made by Miles Davis' classic second quintet. A thematic bookend to the preceding Sorcerer, the 1967 set shares much in common with its equally nuanced predecessor yet deviates by way of its focus on rhythm and exploratory soundscapes. The low-key music blooms with colorful bouquets of shadings, gradations, and overtones that on Mobile Fidelity's analog edition bring listeners to closer to the creative passions than ever before.

As he does on Sorcerer, Davis again cedes all compositional duties to his all-star band mates and focuses on his trumpet. Familiar albeit slightly dissonant, rooted in hard bop yet signaling the onset of fusion, the songs are grounded in inquisitive interplay and subconscious impressionism. Nefertiti reveals fresh devices and new directions every time you visit its cerebral worlds. And while each musician is given ample room to solo, the effort stands as an example of groupthink in that no individual stands out or shows off. The groundbreaking title track—during which the horn section recurrently repeats the melody as drummer Tony Williams and bassist Ron Carter improvise, thus inverting the conventional sense of a rhythm section—shines as a textbook example of such chemistry and unity.

Throughout, the players' confidence, and Davis' trust in them, stamps every piece with rare self-assurance and authoritativeness. In particular, Williams and Carter bring rhythms to the forefront as the horns hypnotize and Herbie Hancock's piano points in several different directions like a compass gone crazy. Responsible for “Madness” and “Riot,” Hancock contributes brief bursts of speed and slight aggression, but on a record on which complexity and introspection take precedent over blowing hot, the aural steam ultimately becomes opportunity for burrowing into unpredictable turns and deep grooves.

Indeed, the thrilling sense of interplay and inclination of the ensemble to keep searching, moving forward in a concerted manner to uncover then-unheard jazz discoveries, marks Nefertiti as one of Davis' quintessential efforts.
Click Here To Listen Samples



Roger Waters "Amused To Death"
2 LP's 33rpm 200g, Gatefold
Remastered by James Guthrie
From Original Analogue Tapes
LIMITED EDITION
Produced in association with Analogue Productions
Pressed at Quality Record Pressings (Q.R.P.) in U.S.A.



Duke Ellington “Masterpieces by Ellington”
LP 200g 33rpm, Gatefold
Remastered by Ryan Smith at Sterling Sound from the Original Analog Master Tapes
Made in Q.R.P. in U.S.A.
2015 Stereophile Record to Die For
Michael Fremer Rated 11/11 Music, 11/11 Sound on www.analogplanet.com



Jeff Buckley "Grace"
Original Recordings Group
2 LP's 45rpm 180g, Gatefold
LIMITED EDITION of 2500 NUMBERED
Mastered by Bernie Grundman from the original analogue masters
Made in R.T.I. U.S.A.

Rolling Stone 500 Greatest Albums of All Time - Rated 304/500! 

Jeff Buckley's Grace is a masterpiece. The critically acclaimed breakthrough is filled with sweeping choruses, bombastic arrangements, searching lyrics, and above all, the richly textured voice of Buckley himself.

Grace is the only complete studio album by Jeff Buckley, originally released on August 23, 1994. After his death in 1997, the album grew to be one of the most important album's of the '90s. The album was produced by Andy Wallace who had mixed Nirvana's album Nevermind.
Click Here To Listen Samples


33 RPM SERIES









Features:
• Limited Edition of 3500
• Remastered from the Original Rudy Van Gelder Blue Note Master Tapes
• Remastered by Kevin Gray at Cohearent Audio
• 33rpm LP Pressed on 180 gram Virgin Vinyl by R.T.I. in U.S.A.
• Ultra-Durable, Extra Thick and Laminated Album Jackets
• Gatefold Album with Session Photos in stunning High Resolution



António Carlos Jobim "Stone Flower"
Speakers Corner/Cti
LP 33rpm 180g, Gatefold
PALLAS, GERMANY

Around the year 1970, almost everything appeared to have been said about the style of music over the past two decades, which was a mix of samba and cool jazz. Adventurous musicians such as Luis Bonfa, Baden Powell, Charly Byrd, João and Astrud Gilberto, and the saxophonist Stan Getz lent fire and sentiment to the "new trend."

First and foremost among them was António Carlos Jobim, whose catchy tunes such as the ticking, shuffling song "Desafinado" and the genial "One Note Samba" were heard all over the globe.

That the man from Ipanema still had a lot to say is proved by this album, which presents Jobim's creativity at the height of his maturity. Right from the very first number, where Urbie Green on the trombone 'sings' "Tereza My Love" so purely in the top register, it is clear that the late bossa with its typical rhythm is structurally far more refined than the early hot dance numbers. The melodies are woven through, as it were, with shining gold and silver threads of rhythm, and clusters of sound are light and airy. However, here and there, the musicians let their hair down, such as in the Latin classic "Brazil."

With that magician of sound Deodato as arranger and conductor, and Rudy van Gelder as recording engineer, this LP is certainly a Bossa masterpiece. There's no more to be said!

Recording: June 1970 at Rudy Van Gelder Studio, Englewood Cliffs, NJ, U.S.A
Production: Creed Taylor
Features:
• 180g Virgin Vinyl 
• LP 33rpm, Gatefold
• High Quality Pressing
• Pure Analogue Audiophile Mastering
• Pressed in PALLAS Germany




Barney Wilen "Jazz Sur Seine"
(also with Milt Jackson, Percy Heath, Kenny Clarke)

Sam Records/Philips
LP 33rpm 180g
Artwork using the original photos
Remastered from Original Master Tapes
Recorded at 1958 in Paris
Made in Pallas Germany
LIMITED EDITION

What's surprising about this session is the rare opportunity to hear Milt Jackson exclusively as a pianist, as his playing is a bit more reserved than on vibes.

Barney Wilen easily holds his own on his first major meeting on a record date with major American jazz stars.

Miles Davis recruited Wilen for his European tour dates at this time (1957), a measure of Davis's estimation of the young Barney.

Bobby Jaspar All Stars Band "Modern Jazz Au Club Saint Germain"
(also with René Urtreger, Benoit Quersin, Sacha Distel, Jean-Louis Viale)

Sam Records/Barclay
LP 33rpm 180g
Artwork using the original photos
Remastered from Original Master Tapes
Recorded at December 1955 in Paris
Made in Pallas Germany
LIMITED EDITION

After hitting Paris in 1950, saxophonist Bobby Jaspar enthralled jazz fans and jazzmen alike with his smooth, elegant playing, with the lyricism of his tranquil phrases heavily influenced by Stan Getz in particular. So when Jaspar began regularly performing with a small ensemble at the Club St-Germain five years later, he adopted the same instrumentation as that of his idol's illustrious quintet, with Sacha Distel on guitar and René Urtreger on piano in the roles of Jimmy Raney and Al Haig, respectively.

Contrary to what its title might suggest, Modern Jazz au Club St-Germain was actually recorded in the studio. It features compositions by Milt Jackson, Dizzy Gillespie and Miles Davis along with a handful of standards, in which the angular aridity of bebop gives way to the generous and yet sensitive idiom of cool jazz.

Jaspar's premature death in 1963 robbed the jazz world of a promising talent; this record is among his best efforts as a leader. Bobby Jaspar is in top form here!!!

Donald Byrd "Byrd In Paris"
(also with Bobby Jaspar, Walter Davis Junior, Doug Watkins, Art Taylor)

Sam Records/Brunswick
LP 33rpm 180g
With double insert
Artwork using the original photos
Remastered from Original Master Tapes
Recorded at 1958 in Paris
Made in Pallas Germany
LIMITED EDITION

On its first French appearance, in July ‘58 at the Cannes Festival — the first and only Cannes jazz festival — the Donald Byrd Quintet had brought the house down. Yet four of its five members were relatively unknown in France ... The French knew that the leader had replaced Kenny Dorham in the Jazz Messengers, that Doug Watkins was the Messengers' bassist, and that pianist Walter Davis Jr. was still only 18 when he'd played with Charlie Parker. As for Art Taylor, even if his name meant something to fans, it was still difficult for people to have a more precise idea of his musical qualities. Only Bobby Jaspar was well-known to Paris audiences, and the tour marked the return of the prodigal son, the musician who'd decided, after setting the Club St. Germain on fire, to try his luck in the States early in 1956 — J.J. Johnson had hired him, and then Miles Davis (for a short spell) before Donald Byrd brought him into the group he was taking to Europe.

This new tour would climax at the Olympia theatre during one of the "Jazz Wednesdays" that were organized there. Byrd and his band astutely varied the public's pleasures throughout the evening.

The complicity that united the rhythm section — Walter Davis Jr., Doug Watkins and Art Taylor — was much in evidence on "Ray's Idea"; mistrusting the traps of the spectacular at all costs, Donald Byrd, producing brilliant inventions on the trumpet, took the lion's share of the honours on a theme that was then much in fashion, "Dear Old Stockholm," adapted from a Swedish traditional song; on "Flute Blues," Bobby Jaspar proved he was still a specialist on that instrument, and "Paul's Pal" showed that, on tenor, the playing of Sonny Rollins hadn't gone unnoticed. It must be said that it didn't have much effect on the discreet lyricism underlying the choruses he played during his "St. Germain" period. The Olympia spectators weren't sparing in their applause for the five musicians. How else could they have reacted, faced with the fire the band showed during a tune like "The Blues Walk"? It wouldn't take much for us to applaud, too, even if it is 56 years later.

Donald Byrd "Parisian Thoroughfare"
(also with Bobby Jaspar, Walter Davis Junior, Doug Watkins, Art Taylor)

Sam Records/Brunswick
LP 33rpm 180g
Artwork using the original photos
Remastered from Original Master Tapes
Recorded at 1958 in Paris
Made in Pallas Germany
LIMITED EDITION

This record is the volume 2 of "Byrd in Paris" from the same 1958 concert at Olympia.




Zoot Sims "Down Home"

LP 33rpm 180g
Made in Pallas Germany

Bethlehem Records was a major jazz label in the 1950s formed by Gus Wildi with an impressive roster of artists. The label distinguished itself by giving artists creative control of their projects and presented albums of rather cutting edge graphic design. Its legacy is a lengthy discography that freshly and ambitiously captured and preserved an era of truly amazing music including West Coast Cool Jazz, East Coast Bop, and Vocalists. For many of the artists, their first or greatest recorded work happened at Bethlehem. 

1960, when this album was recorded, was one of Zoot Sims' most productive years. The performances here are recognized as being the masterpieces of Sims' middle period.
Features:
• 180g Vinyl
• Pressed at Pallas in Germany
• Remastering by Ray Staff at Air Mastering, Lyndhurst Hall, London




Sonny Rollins "Rollins Plays For Bird"
(with Max Roach, Kenny Dorham, Wade Legge, George Morrow)
Analogue Productions Prestige MONO Series

Limited Edition 200 Gram LP's
Only the 1st 1,000 Copies are Numbered

Mastered by Kevin Gray
Cut from the Original Mono Master Tapes
Plated by Gary Salstrom
Pressed at Quality Record Pressings in U.S.A.

200-gram pressing by Quality Record Pressings has a flat edge profile and deep groove label, true to the original LP 

Deluxe high-gloss tip-on album jackets 
Features:
• Limited Edition
• Only the 1st 1,000 Copies are Numbered!
• 200g LP 33rpm
• Pressed at Quality Record Pressings in U.S.A.
• Plated by Gary Salstrom
• Mastered by Kevin Gray from the Original Analogue Mono Master Tapes




Freddie Hubbard "Straight Life"
(with Joe Henderson, Herbie Hancock, George Benson, Ron Carter, Jack DeJohnette, Richard "Pablo" Landrum, Weldon Irvine)

LP 33rpm 180g
Made in Pallas Germany

Straight Life is a soul/funk influenced jazz album recorded in 1970 by trumpeter Freddie Hubbard. Hubbard is joined here by an all-star group including Joe Henderson, Herbie Hancock, George Benson, Ron Carter, Jack DeJohnette and more!

Recorded between trumpeter Freddie Hubbard's better-known classics Red Clay and First Light, Straight Life is actually arguably Hubbard's greatest recording. Hubbard, joined by an all-star group that includes tenor saxophonist Joe Henderson, keyboardist Herbie Hancock, guitarist George Benson, bassist Ron Carter, and drummer Jack DeJohnette, is frequently astounding on "Straight Life" (check out that introduction) and "Mr. Clean," constructing classic solos. The very memorable set is rounded off by the trumpeter's duet with Benson on a lyrical version of the ballad "Here's That Rainy Day." This exciting album is essential for all serious jazz collections.

This release was produced, engineered, and mastered by Creed Taylor. It was recorded at Van Gelder Studios on November 16, 1970.

Click Here to Listen Samples
Features:
• 180g Vinyl
• Pressed at Pallas in Germany
• Remastering by Ray Staff at Air Mastering, Lyndhurst Hall, London



John Coltrane "Offering-Live At Temple University"
(w/Pharoah Sanders, Alice Coltrane, Sonny Johnson, Rashied Ali, ...)

2 LP's 33rpm 180g, Gatefold, Insert, Postcards

Mastered By Bernie Grundman
LIMITED EDITION of 2000 HAND-NUMBERED
Made in R.T.I. U.S.A.



Charles Lloyd "Manhattan Stories"
(with Gábor Szabó, Ron Carter, Pete La Roca)

2 LP's 33rpm 180g, Gatefold, Insert

Mastered By Bernie Grundman
LIMITED EDITION of 1000 HAND-NUMBERED
Made in R.T.I. U.S.A.


Patricia Barber "Modern Cool"
Premonition Records
2 LP's 33rpm 180g
Remastered from the Original Analog Mixes by Doug Sax
Pressed at Q.R.P. in U.S.A.

Patricia Barber's Modern Cool (Premonition Records, 1998) was the recording that made Barber an international jazz star. On the initial tour for this album, Barber played a four night stand at The Jazz Standard in New York where she was heard by Bruce Lundvall of Blue Note Records. This led to a string of Barber recordings for both Premonition and Blue Note, worldwide touring and unapologetic critical acclaim from which Barber never looked back.

Audiophiles were well aware of Barber from her 1994 Premonition recording Cafe Blue. Sonically, Modern Cool copied the Cafe Blue playbook: same recording studio, engineer, and recording approach. Musically, Barber added trumpeter Dave Douglas to her stellar working band and showcased her original compositions more than on any previous recording.

This LP version is newly remastered by the legendary Doug Sax from the original analog mixes.

"Sonically, one of the best recordings ever made by a jazz singer with small acoustic ensemble." -Downbeat, rated 5 stars

"Smart songs about the way we think and live, not just about the way we love. This is the kind of art we need to be on the lookout for everywhere. The 21st century has started. We can't afford to be left behind." -New York Times

"Record to Die For" -Stereophile

Features:
• 180 Gram High Quality Vinyl
• 2 LP's at 33rpm
• Vinyl remastering by Doug Sax from the original analog mixes
• Pressed at Q.R.P. in U.S.A.



Miles Davis "Bitches Brew"
Mobile Fidelity Sound Lab
2 LP's 33rpm 180g, Gatefold
LIMITED EDITION NUMBERED

Pressed at RTI in U.S.A.
Mastered from the Original Master Tapes
Rolling Stone 500 Greatest Albums of All Time - Rated 95/500

Monumental 1970 Double Album is Signpost for Jazz Fusion: Psychedelic Record Still Sounds Ahead of Its Time More Than 40 Years Later

"Listen to This." As the original working title for Bitches Brew, the instruction and invitation resonates to this day as the best way to approach a record that shattered conventions, altered music history, and, more than 40 years later, still sounds far ahead of its time. The aural Mount Rushmore of jazz fusion, Bitches Brew is rightly ranked by virtually every significant press outlet among the 100 greatest albums ever made in any genre. Sewn together with vibrant colors, voodoo textures, and ethereal moods, the 1970 landmark emerges with supreme detail and nonpareil feeling on Mobile Fidelity's definitive 180g 33RPM 2LP set.

Mastered from the original master tapes and pressed on 180g vinyl at RTI, this collectable audiophile 33RPM version of Bitches Brew joins the ranks of eleven other essential Miles Davis sets given supreme sonic and packaging treatment by Mobile Fidelity. Having established new possibilities for studio-recording techniques, the record can now be experienced to maximum degree by way of this analog edition that widens and deepens the soundstage, opens up separation between instruments, and broadens the dynamic range. If ever a jazz album can be said to have gone to outer space and back, this is it.

Davis conceived Bitches Brew by having the musicians stand in a semi-circle, where he pointed at them with vague directions for tempo, solos, and cues. The collective improvisation and interplay spawned a galaxy of melodies and grooves that were later spliced together by producer Ted Macero. Here, these distinct creations take shape with utmost realism. Mobile Fidelity's version envelops you in expansive warm tonal blankets. Compositions stretch across jet-black backgrounds and paint abstract canvasses on par with those of Axis: Bold As Love and Abraxas. Juxtaposed percussion, loose jams, and melodic segues explode with impressionistic verve.

Gathering a Hall of Fame-worthy lineup of musicians and tweaking it according to his desires, Davis follows through on his idea to "put together the greatest rock and roll band you ever heard" on Bitches Brew. Central to his proposition is the presence of two (and sometimes three) drummers and two bassists, a tactical move that thrusts rhythms into a central focus. Akin to the futuristic album cover art, the drum-driven suites head toward distant universes and uncharted territories—at once hypnotizing and grooving, charting maverick adventures with quixotic rock, funk, and R&B elements.

Conceptually, Davis described Bitches Brew as "a novel without words" and "an incredible journey of pain, joy, sorrow, hate, passion, and love." The vast psychedelic expanses of warped echoes, liquid reverb, and tape loops confirm such ambitious contrasts of light and dark, fear and hope. Yet the most absolute characteristic of this watershed effort lies in how it resists definitive interpretation and encourages free thought—the very principles with which Davis conceived the everlasting beauty and fascination that is Bitches Brew.

All the composer would else likely want for open-minded listeners is for them to hear it at its full potential, a dream realized by Mobile Fidelity.
Click Here to Listen Samples
Musicians:
Miles Davis, primary artist, trumpet
Dave Holland, bass
Harvey Brooks, bass, electric bass, bass guitar, electric guitar
Bennie Maupin, bass clarinet
Airto Moreira, cuica, percussion
Don Alias, congas, drums, percussion
Jumma Santos, congas, percussion, shaker
Jack DeJohnette, drums
Lenny White, drums
Billy Cobham, drums
Chick Corea, electric piano
Larry Young, electric piano
John McLaughlin, guitar, electric guitar
Joe Zawinul, organ, electric piano
Jim Riley, percussion
Wayne Shorter, soprano saxophone

Features:
• Numbered, Limited Edition
• Mastered from the Original Master Tapes
• Half-Speed Production and Mastering by Mobile Fidelity Sound Lab
• 2 LP's at 33rpm, Gatefold
• Specially Plated and Pressed on 180 grams of High Definition Vinyl
• Pressed at RTI U.S.A.




Roy Gaines
"I Got The T-Bone Walker Blues"
Groove Note Records
2 LP's 180g 45rpm, Made in R.T.I. U.S.A.

Mastered from the Original Master Tapes by Bernie Grundman!
A Tribute to the Music and Spirit of T-Bone Walker

Audio Beat Rated 4/5 Music, 5/5 Sound!

Phenomenal Sound! A Must Have Blues Album! 


Roy Gaines is the greatest living blues guitarist that you probably don’t know anything about.
Not only a great blues guitarist, also one of the most magnificent blues voices around.

Produced by Joe Harley and recorded at Ocean Way Studios in Sherman Oaks, CA. by engineer Mike Ross.

Winner of the 1998 "Blues Comeback Artist of the Year" award by the monthly blues magazine Living Blues.

"A modern blues masterpiece!" - Andy Griggs, Real Blues 

"Highly recommended" - Bill Milkowski, Jazz Times 

"As if great music alone were not quite enough, the quality of the sound is equally impressive... Mastered by Bernie Grundman, the original release featured nine songs cut for 33rpm along with a second 45rpm LP with four 'bonus' tracks. It was a pretty impressive-sounding disc at the time. But Bernie Grundman’s mastering chain saw some dramatic improvements in the early 2000s. Grundman remastered the session and cut the entire album at 45rpm... The new version is drop-dead gorgeous and its sound is of demonstration quality. I did a comparison of 'The Hustle is On' at 45prm from both releases, and the new one is clearly superior, with more extended highs -- even though the earlier cut was spread out over a half side, while the new one shares a side with two other tunes. It shows what can be achieved with an Ampex ATR-100 two-track recorder, some excellent microphones and a lot of talent. It doesn’t get much better than this." - Dennis Davis, theaudiobeat.com, Music 4/5, Sound 5/5

Features:
• 180 Gram
• 2 LP's at 45rpm
• Mastered by Bernie Grundman from the Original Master Tapes
• Pressed at R.T.I. in U.S.A.


Van Den Hul Carbon Recordings

Beets Brothers, Lils Mackintosh, Hans Dulfer
A Tribute to Analog
Van Den Hul Carbon Recordings
LP 33rpm
Mastered from Analog Tape and Cut by Maarten de Boer at Emil Berliner Studio,
Hannover Germany

This is an Analogue Sound Reference!!!

If you like Jazz and Saxophone this LP will kill you!!!